Abstract Fine Art Photography Prints
Frequently Asked Questions
Who Prints my Abstract ICM Photography Wall Prints
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Douglas Carr Photography has chosen LabKorner's as its official photographic laboratory to print his abstract fine art icm photography wall prints as they are also is the official photographic laboratory of YellowKorner and some of the biggest names in photography. At the heart of the laboratory in Poland, they apply their expertise to each print run, combining there artisanal know-how with new printing technologies. Every photograph entrusted to the LabKorner laboratory is verified by one of their experts, to guarantee optimal resolution and a unique, high-end finish. They are the experts, I have put my trust in to deliver my fine art prints in the highest gallery quality finished print products. ​
LabKorner Professional Printing & Framing
Concept & Fine Art Print Information
Douglas Carr Photography offers non-digital fine art prints on traditional photographic paper, ensuring exceptional quality with optimal finish, sharpness, and contrast in both colour and black-and-white.
​Mounted Formats
LARGE: 60x90 cm
GIANT: 100x150 cm
COLLECTOR: 120x180 cm​
EXCEPTION: 150x225 cm
Printing
​Photographic Printing and Processing Details
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Each abstract fine art icm photography wall print photographs is printed on Fuji DPII Gloss 250 photographic paper. It is a non-digital print covered by a layer of anti-reflective film that protects it from humidity and UV rays. It is however also possible to oder unmounted or framed prints, in which case it is delivered in a cardboard tube.​​​​​​​​​​​​​​​​​​​​​​​​​​
Mounted prints on Aluminium Dibond ©
Your high-definition printed photograph is mounted onto an Aluminium Dibond© plate to maintain and support the print and for ease of display. Our light and resistant aluminium plates forming a frame at the back of your photo print provide a slight offset from the wall (20 mm). This effect magnifies your photograph and allows a more immersive viewing of your most beautiful creations once they are exhibited.
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Gloss Plexiglass finishes
A two-millimetre Plexiglass plate is then applied over the print to protect your artwork : our Gloss Plexiglass finishes magnify the colours of your photographs. Our experts check every photograph and verify every detail.
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Matt Plexiglass finishes
A two-millimetre Plexiglass plate is then applied over each fine art wall print to protect your artwork : our Matte Plexiglass finishes magnify the colours of your photographs. Our experts check every photograph and verify every detail.
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Framing
Framing made-to-measure
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Assembled by hand, each abstract fine art photographic wall print can benefit from the addition of made-to-measure shadow-gap frame. Supported by a frame, the ready-to-hang American box is lifted slightly from the wall, creating a floating effect between the photograph and the frame.
White Satin
Oak
Black Satin
Wenge
Graphite
Walnut
Gallery Frames
Framed Classic prints​
For our Classic abstract fine art photography wall prints our laboratory has chosen an acid-free cardboard passe-partout, 1.4 mm thick and covered with laid paper. Placed between the photo print and the glass of the Plexiglass frame and cut to a bevel, it highlights the contrasts in the photograph. Its neutral pH protects the image from condensation.​​ Choose a frame size of either 40x50 or 50x70 cm in either white or black frames.
Frame size 40x50
Classic 40 x 50 cm
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The print is made on photographic paper
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The size of the print varies from one artwork to the next
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Total dimensions (including the passe-partout) 40 x 50 cm
Frame size 50x70
Classic 50 x 70 cm
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The print is made on photographic paper
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The size of the print varies from one artwork to the next
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Total dimensions (including the passe-partout) 50 x 70 cm
Frame size 90x90
Classic 60 x 90 cm
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The print is made on photographic paper
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The size of the print varies from one artwork to the next
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Total dimensions (including the passe-partout) 60 x 90 cm
Hanging Guide
Hanging Guide
To hang your abstract fine art photography wall print set out from the wall, if it is unframed, a 20 mm-wide rectangular frame is placed at the back of the plate to rigidify the structure. . On the sides of the frame, two notches allow the artwork to be hung directly using X hooks. At the centre of this frame, the certificate is attached, including a description of the artwork, the artist’s biography, and the number of the print.
Back of the Mounted Frame
Back of the Shadow-Gap Frame
Weight Guide
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Large Format Finishes :
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Acrylic Glass / Matte – Weight: 4.5 kg
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Acrylic Glass / Matte and shadow-gap Frame – Weight: 6.5 kg
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Giant Format Finishes:
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Acrylic Glass / Matte – Weight: 11 kg/il>
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Acrylic Glass / Matte and Shadow-Gap Frame – Weight: 16.5 kg
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Collector Format:
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Acrylic Glass / Matte – Weight: 16 kg
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Acrylic Glass / Matte and Shadow-Gap Frame – Weight: 23 kg
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Exception Format:
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Acrylic Glass / Matte – Weight: 28 kg
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Acrylic Glass / Matte and Shadow-Gap Frame – Weight: 38 kg
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Operation of the X Hook
Maintenance Guide
ALUMINIUM MOUNTS : Clean the surface with a dry microfibre rag.
ACRYLIC GLASS : Clean with 70° pure alcohol and a microfibre cloth
SHADOW GAP FRAME :
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For the aluminium surface, clean with a dry microfibre cloth
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For the plexiglass surface, clean with 70° pure alcohol and a microfibre cloth.
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For the wooden frame, clean with a a dry microfibre cloth.
Safety Warning
The fixation material must be adapted to the type of wall and the weight of each limited edition fine art wall print. Mounting does not guarantee permanent attachment to the wall – it may accidentally become unhooked. Do not hang the photograph at child’s height or in a place where accidental fall could cause bodily harm (for instance: above a bed).